"Swimming Tsombe (the Tiger Fish)" by Shephard Deve
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Shephard Deve is a gifted Shona stone sculptor hailing from Zimbabwe, who primarily draws his creative inspiration from the grandeur and versatility of the natural world. An extensive part of his artistry is focused on the portrayal of diverse animals, a theme which he cultivates through first-hand observations of the local wildlife as well as through media representations.
Born and raised in the bucolic region of Chiweshe, a rural locale in Zimbabwe, Deve's early experiences were steeped in the rich tapestry of natural phenomena, contributing significantly to his aesthetic sensitivity. His reverence for the wild was further broadened and deepened through a steady exposure to international wildlife, specifically the marine life of coral reefs, by way of the National Geographic Channel. This source has notably influenced Deve, expanding his artistic focus beyond his immediate environment and fostering an appreciation for the vibrant, varied aquatic creatures inhabiting the world's oceans.
Deve's artistic process involves a meticulous observation of his subjects, where he invests a substantial amount of time studying the finer details of each creature he sets out to sculpt. This meticulousness, combined with a richly fertile imagination, enables him to create stone sculptures that possess an alluring blend of accuracy and creativity. His works stand as testament to his deep respect for nature and his desire to celebrate its diverse splendor through the medium of stone sculpture.
In Shona folklore, when someone dreams of fish he or she will soon be the recipient of wealth. It is a good omen and the Shona anxiously await the magical dream fish that heralds prosperity.
Country of Origin:
- Hand carved in Zimbabwe
Dimensions (in inches):
- Depth: 12"
- Width: 16"
- Height: 14"
Type of Stone:
- Green Opal
- Green Opal is sourced in the mines north of the Zimbabwean capital of Harare. After polishing, it becomes a deep beautiful green. It is favored by many Shona artists as it is not as hard as Springstone but it still polishes to a high shine. The first Green Opal mines were not found until 1989.
- This piece is free standing.
- This piece can be displayed outside as weather will not harm the stone. Shona sculpture is the perfect addition to any garden design!
About Shona Sculpture:
Stone sculpture in Zimbabwe, dating from 1956 until today, is the best-known manifestation of African contemporary art. Northern Zimbabwe has uniquely large amounts of carvable stone. The stone was so important to the people that the name ‘Shona’ is derived from a word in their native language that means ‘house of stone.’ There is no technical artistic training in Shona sculpture. Sculpting skills are passed down through families and the large and hard stones are carved with only a hammer and chisel. Hemingway Gallery purchases this sculpture directly from the Shona artists in Zimbabwe and has imported the monumental stone artwork since the early 1980s. These fine modern sculptures are unparalleled in both carving skill and design. Hemingway holds long-standing relationships with artists like Bywell Sango, Sylvester Mubayi, Witness Bonjisi and many more.
Click the Shona Sculpture tab below for further information!
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Hemingway Gallery places significant emphasis on Shona Sculpture from Zimbabwe, which was the first gallery to introduce monumental sizes of the stone sculptures to the United States. Shona sculpture serves as a means of celebrating traditional African motifs while simultaneously being quintessentially modern art, borne out of a 20th-century renaissance. The abundance of carvable stone in Zimbabwe sets it apart as the only African nation with large deposits suitable for sculpting. The significance of stone to the people of Zimbabwe is demonstrated by the fact that the term 'Zimbabwe' translates to 'house of stone' in the Shona native language. In ancient times, unique soapstone carvings of birds adorned the 11th-century city of Great Zimbabwe.
Shona sculpture lacks any formal technical artistic training. Instead, sculpting skills are transmitted through families, and the hard, large stones are shaped using just a hammer and chisel, without any modern power tools being employed. Several beliefs and cultures in Shona society inspire the themes conveyed through stone sculptures. These encompass mythology, spiritual ideology, and rituals. The Shona believe that the rock contains images that are revealed to them in their dreams by the spirits of their ancestors. When these images are brought to life through sculpture, the spirits are liberated and become a part of the shared human consciousness, soaring freely. In the words of Bernard Matemera, one of the founders of this movement: "The spirits are everywhere in the air, in the rocks. A rock is like a fruit - like an orange or a banana. You don't eat them without peeling them first. It needs to be opened to be eaten. I open the rocks. The fruit is inside."
Shona sculptors crafted a unique style that possessed a modern flair reminiscent of Picasso, Brancusi, and Modigliani while still being reflective of traditional Zimbabwean mythology, folklore, rituals, and beliefs. Shona sculpture's significance as one of the most crucial advancements in 20th-century African artwork was firmly established by a significant exhibition at the Museum of Modern Art in New York in 1969.
Since the early 1980s, Hemingway Gallery has been importing monumental stone artworks from Shona artists in Zimbabwe. The gallery ethically procures this sculpture directly from the source. Works from first generation Shona sculptors such as Henry Munyaradzi, Sylvestor Mubayi, Fanizani Akuda, Josiah Manzi, Bernard Takawira, Nicholas Mukomberanwa, and Bernard Matemera, are much sought after by art collectors worldwide. Despite the passing of the first generation of artists, the gallery collection still holds a limited selection of their pieces. Hemingway had a close relationship with these first Shona carvers and continues the relationship with the subsequent generations of artists. Not only are these modern sculptures of exceptional carving skill and design, but they are also affordable and available in sizes suitable for both indoor and outdoor display.