Monumental Geometric Abstract by Witness Bonjisi
SKU: S106
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Artist Bio:
Witness Bonjisi
Born in 1975 into a family of seven and is younger brother to renowned sculptor, Lameck Bonjisi. His other brother Tafunga Bonjisi is a sculptor whose pieces can also be found at Hemingway Gallery. Witness attended primary education in Domboshava, Chinamhora and then completed his secondary studies in Mabvuku, near Harare.
Witness started sculpting at age 17 with Nicholas Mukomberanwa (one of the most famous first-generation Shona sculptors), as did his brother Lameck. Witness then moved on to sculpting with his brother Lameck of whom he was inspired by. Five years later he started sculpting his own works. Witness has flown to America and Switzerland attending workshops and exhibiting. His sculptures can be found throughout the world in private collections and galleries.
Country of Origin:
- Hand carved in Zimbabwe
Dimensions:
- D:18" W:14" H:67"
- Depth x Width x Height
Type of Stone:
- Springstone
- Springstone comes from the Guruve mine in northern Zimbabwe. It is one of the hardest stones found in the country and has an elevated density allowing it to be polished to a bright shine. Springstone contains high deposits of iron which can sometimes be seen in a reddish-brown outer layer on the stone. The iron also makes it an incredibly hard stone to carve by hand.
- One of the most famous 1st generation carvers, John Takawira, was said to have coined the name 'springstone' when he tried to carve the stone and it was so dense and strong that the chisel sprung off the stone, hence the name 'springstone'.
Display:
- This piece includes an iron base for added stability.
- We can make a custom pedestal for your piece. Please email us for a quote info@hemingwayafricangallery.com or call 212-838-3650
- This piece can be displayed outside as weather will not harm the stone. Shona sculpture is the perfect addition to any garden design!
About Shona Sculpture:
Stone sculpture in Zimbabwe, dating from 1956 until today, is the best-known manifestation of African contemporary art. Northern Zimbabwe has uniquely large amounts of carvable stone. The stone was so important to the people that the name ‘Shona’ is derived from a word in their native language that means ‘house of stone.’ There is no technical artistic training in Shona sculpture. Sculpting skills are passed down through families and the large and hard stones are carved with only a hammer and chisel. Hemingway Gallery purchases this sculpture directly from the Shona artists in Zimbabwe and has imported the monumental stone artwork since the early 1980s. These fine modern sculptures are unparalleled in both carving skill and design. Hemingway holds long-standing relationships with artists like Bywell Sango, Sylvester Mubayi, Witness Bonjisi and many more.
Click the Shona Sculpture tab below for further information!
Shipping:
- Shipping on large or fragile pieces like this one, is calculated on a case by case basis. This is because sometimes a custom crate is needed. We also want to make sure to get you the best shipping quote so we price out rates after purchase. For a shipping estimate on the large pieces, please give us a call! 212-838-3650 or email info@hemingwayafricangallery.com
- Delivery in the New York area is available via truck.
- We ship around the world! Our website is still new and is not yet processing automatic international shipping rates. Please contact us directly for custom shipping quotes outside the mainland USA (including Hawaii and Alaska).
Our Pricing:
Our pricing correlates directly to the asking prices of artists in Zimbabwe and the costs of importing their artwork to the U.S. We need to change the idea that artists should be paid pennies for their fine art just because it comes from Africa. Paying a fair price to our artists is our number one priority and our pricing reflects that.
Further Information:
Please email us at info@hemingwayafricangallery.com or call 212-838-3650 with the SKU # for further information on this piece.
Shona Sculpture from Zimbabwe is one of the main focuses of Hemingway Gallery, which was the first gallery to import the monumental stone sculpture to the United States. Brian Gaisford grew up with the Shona artists in Zimbabwe before 1975. Zimbabwe is the only African country with large amounts of carvable stone. The stone was so important to the people of Zimbabwe that the word 'Shona' is derived from a word from their native language that means 'house of stone.' There is no technical artistic training in Shona sculpture. Sculpting skills are passed down through families and the large and hard stones are carved with only hammer and chisel and no modern power tools are used. Themes articulated in stone stem from several beliefs and cultures in the everyday Shona society. These include mythology, rituals, and spiritual ideology. In the words of Bernard Matemera, one of the founders of this movement: "The spirits are everywhere in the air, in the rocks. A rock is like a fruit - like an orange or a banana. You don't eat them without peeling them first. It needs to be opened to be eaten. I open the rocks. The fruit is inside."
Works from first generation Shona sculptors such as Henry Munyaradzi, Sylvestor Mubayi, Josiah Manzi, Bernard Takawira, Nicholas Mukomberanwa, and Bernard Matemera, are much sought after by art collectors worldwide. Hemingway Gallery has had a close relationship with these artists and continues the relationship with the last surviving first generation sculptures (Josiah Manzi and Sylvester Mubayi) and the subsequent generations of artists. Hemingway African Gallery was the first gallery to import Shona sculpture into the United States. It continues as the largest wholesale importer of Zimbabwean art including monumental sculptures that other importers shy away from.
Return Policy:
All sales are final. We take returns for store credit on a case-by-case basis. Please email us at info@hemingwayafricangallery.com
Shipping Policies:
Hemingway African Gallery expertly packs all pieces. In the occurrence of an accident, all damaged items must be reported to us within 3 days of delivery. Hemingway African Gallery is not responsible for artworks damaged by the shipping carrier. We do not accept refunds and returns of the damaged products. If you purchase insurance ahead of shipping (recommended), we will file a claim with the shipping company for you.
You are responsible for all shipping costs (including crating and insurance), calculated on an actual cost basis. Because of this, buyers will be contacted, after the sale, with shipping options for large artworks.
Hemingway African Gallery works with carriers including USPS, FedEx, and Service By Air as well as several fine art handling companies. FedEx Ground is the standard shipping used unless otherwise planned. Oversized orders may be packaged and shipped specifically for and arrive via freight service. We strive to find the best, safe rate for your shipment.
Hemingway African Gallery is not responsible for carrier delays due to adverse weather conditions or any other unavoidable situations that may result in the carrier being unable to deliver packages.
International Shipping Taxes:
For all shipping methods outside the US, duty and taxes are payable upon receipt of package. This is a fee that your country charges for delivery of packages coming in from all outside countries and will vary depending on the individual country you live in. Hemingway African Gallery is not responsible for any duty and tax fees due. Please check with your local postal carrier for an estimate on what this charge may be prior to placing your order.
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New York State Sales Tax:
Orders shipped to addresses within the state of New York are subject to a 8.875% sales tax unless you provide a sales tax exemption certificate.